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Responding to critiques of burlesque cheat sheet (crazy-making edition)

It’s no secret that I’m not a huge fan of burlesque. I think it’s a boring, overplayed example of what you might call neosexism or retro sexism —  meaning that the “vintage” veneer and claims of “subversion,” “irony,” or postfeminism are meant to disguise the fact that it’s just the same old sexism that’s been going on for centuries. When it comes to burlesque, and, for that matter, anything that looks like sexism (see: pole-dancing classes, American Apparel ads, and “feminist pornography“) but is billed as not-sexist-because-women-like-it, the most useful tests to apply are these: 1) Are dudes doing it? 2) Are dudes trying to explain to you that it’s actually feminist? If dudes aren’t doing it but are simultaneously trying to convince you that it’s liberating, empowering, or...
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Feminists hate naked ladies and other tales from the backlash.

Man, the internet is a funny place for feminism. Because burlesque is, apparently, the favorite topic of all those who wish to berate feminists without actually knowing anything about feminist theory,  feminist movements, or feminist discourse, I wasn’t terribly surprised to find this precious gem linked to my piece on burlesque, which I wrote back in February. My post being, according to the author, an example of second wave feminism. The burlesque=empowerment argument, as discussed previously by The F Word, seems to be popular among those who either ARE burlesque dancers and wish to defend their craft, or among those who argue that ‘post-feminism’ has arrived and, therefore, anything goes because women are so liberated that objectification is impossible or, at very least, no longer gendered. I disagree, obviously....
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Burlesque: They tell me it’s just for fun…Except I’m not having any.

Two weeks ago we ran our 2-part series on burlesque. Considering the many varied perspectives among women and feminists, we felt it wouldn’t be quite sufficient nor would it present an entirely accurate representation of those varied views if we explored only one side of the argument. The first show featured local burlesque superstar, Crystal Precious and PhD Candidate, Mary Shearman, who we brought on in order to present a look at burlesque that included feminism and female empowerment, rather than a straightforward rejection of it. The conversation could have easily gone on for another hour. Our guests provided us with some super interesting ways of looking at this ‘neo-burlesque movement’, as it’s been coined. We were presented with some ways in which burlesque could, potentially, be subversive. Both...
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